新链:艺术的未来 New LINK: The Future of Art
2026.5.30 - 2027.4.30, 深圳国际美术馆4樓
禪園
林嵐
2026
尺寸可變
回收材料（文人石、建築石料、金屬管道、足球、雨傘骨架、布料）、混凝土
林嵐的《禅园》以城市水管、实心篮球、兩傘骨架、悬停枝头的足球与布料等材料为媒，构建了一座当代禅园与希望景观。值得注意的是，该作品是艺术家基于深圳国际美术馆的景觀和空间而创作的特定场域装置：其中两块石头取自美术馆周边区域，并被纳入到整个禅园之中。在传统中国文化中，山水园林本是士人修身之所，是连接宇宙、涵养温润之身的空间。而今，这一语境已然消逝，取而代之的是技术发展下的城市景观。艺术家将钢筋混凝土视为新的身心操练场域，赋予其以无止境的生长意涵，而这种生长又反过来孕育出分心、失忆的现代主体。当儿童渐行渐远，那颗悬于枝头的足球，便成为失落与希冀交织的视觉隐喻。
Zen Garden in SIMoA
Jaffa Lam
2026
variable dimensions
recycled materials ( scholar’s stone, construction remains, metal pipes, soccer balls, basketball, umbrella ribs, fabric ) , concrete
Jaffa Lam's Zen Garden in SIMoA constructs a contemporary Zen garden and landscape of hope using urban pipes, umbrella ribs, fabric, solid basketballs, a football suspended from a branch. Notably, the work is conceived as a site-specific installation developed in direct response to SIMoA’s spatial context. Two stones incorporated into the overall Zen garden were sourced from the vicinity of the museum. In traditional Chinese culture, landscapes and gardens are spaces for physical and mental cultivation, connecting with the universe to refine the gentle and orderly bodies of scholars. Today, that context has vanished, replaced by technological realities and urban spectrums. The artist treats reinforced concrete as a new arena for physical and mental exercise, endowing it with the implication of endless growth—yet this very growth fosters a distracted and amnesiac modern subject. As children drift away, the football hanging from the branch becomes a visual metaphor where loss and hope intertwine.
Read More:
arthing，2026.5